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- Charles Harpur and the Myth of OriginsEssay1 October 1987
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance MeasurementEssay1 November 2013
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*Essay5 July 2019
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Walter Murdoch : ‘A Humble Protest’?Essay1 October 1993
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971
- [Statements about War Literature]Essay1 October 1985
- Barbara Hanrahan’s NovelsEssay1 May 1983
- Anthologies and OrthodoxiesEssay1 May 1987
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994