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What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*

Site Unscene: Medial Ideology and the Literary Interface

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

**Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**

Patrick White’s Studies for *Voss*

Picturising Patois in *The Sentimental Bloke*

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

Shannon’s Information Theory, AI, and Fiction

Henry Lawson: The New Zealand Visits

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke