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- The One-Actor Play in Australian DramaEssay1 May 1981
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- About Face: Asian-Australians at HomeEssay1 May 2002