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- Honi Heke: The Maori as Aboriginal Hero in Australian Colonial PoetryEssay1 May 1993
- Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam ShoemakerReview1 May 1990
- Reading *My Brilliant Career*Essay1 October 2002
- Setting the Record Straight: Bibliography and Australian LiteratureEssay1 October 2003
- How to Use a Street Directory: Detail and Knowledge in the Work of Alan WearneEssay1 November 1998
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- Helen Garner’s EducationEssay28 October 2021
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- Annual Bibliography of Studies in Australian Literature: 2006Essay1 May 2007
- Coetzee’s WomanizingEssay25 February 2018
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988Essay1 May 1995
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996