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A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

An Interview with Archie Weller

An Absence of Partisanship

Australian Literary and Scholarly Publishing in Its International Context

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

The Fiction of Gabrielle Lord

Dorothy Hewett’s Faith in Doubt

Criminal Transport: George Barrington and the Colonial Cure

Veronica Brady’s Biography of Judith Wright

Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

Friendship in a Time of Loneliness

Valerie Solanas and the Limits of Speech

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820s