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- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Les Murray: A Selective ChecklistEssay1 October 2001
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Reading (in/and) *Miranda*Essay1 May 2006
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- The Telling of Marmel’s StoryEssay1 June 2009
- An Indian without a CountryEssay1 June 2009
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- Counter-PoeticsEssay1 June 2011
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011