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- Review of *Marjorie Barnard and M. Barnard Eldershaw* by Louise E. RorabacherReview1 October 1974
- Marcus Clarke: *Long Odds* and the 1873 Melbourne CupEssay1 October 1974
- John TranterEssay1 October 1977
- Four Notes on the Practice of RevolutionEssay1 October 1977
- Henry Kingsley, and the ‘Dear Old Station’: The ‘Baroona’ of *Geoffry Hamlyn*?Essay1 October 1993
- Oodgeroo in ChinaEssay1 November 1994
- Long Memoried Women: Oodgeroo Noonuccal and Jamaican Poet, Louise BennettEssay1 November 1994
- A Mate in PublishingEssay1 November 1994
- ‘The Folds of Unseen Linen’: The Fabric of Rosemary Dobson’s PoetryEssay1 May 1995
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- Tasma’s First PublicationEssay1 May 1992
- Review of *The Nervous Nineties: Australian Cultural Life in the 1890s* by John DockerReview1 October 1992
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- Reading *My Brilliant Career*Essay1 October 2002
- The Suburban Problem of EvilEssay1 November 1998
- Review of *Australian Literary Manuscripts in North American Libraries: A Guide*, *Australian Autobiographical Narratives: An Annotated Bibliography*, *Black Australian Literature: A Bibliography of Fiction, Poetry, Drama, Oral Traditions and Non-Fiction, Including Critical Commentary, 1900-91*Review1 October 1999
- In Quest of a Quaker: A Note on Henry Savery’s Nom de PlumeEssay1 June 1963
- My Brilliant Career and RadicalismEssay1 October 2002
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Review of *Transcultural Graffiti: Diasporic Writing and the Teaching of Literary Studies*, by Russell West-PavlovReview1 May 2006