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- Review of books by Judith Wright, Peter Quartermaine and Ian F. McLarenReview1 May 1978
- The Citizenship of Peter PorterEssay1 May 1978
- The Ambiguous Modernist: Themes in the Development of the Poetry of John TranterEssay1 October 1980
- Review of *Imagined Lives: A Study of David Malouf*, *Sheer Edge: Aspects of Identity in David Malouf's Writing*, *David Malouf*, and *Randolph Stow*Review1 May 1992
- Review of *Christina Stead: A Biography*, by Hazel RowleyReview1 May 1994
- Looking Beyond the Subject: Some Recent BiographiesReview1 May 1995
- Review of books by Debra Adelaide, Helen Daniel, Chris Tiffin, Ken Gelder and Paul SalzmanReview1 May 1990
- IntroductionEssay1 June 1991
- Spaces, Cargoes, Documents, Values and Principles: Some Recent Poetry AnthologiesEssay1 October 1992
- The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*Essay1 May 1999
- New Directions: IntroductionEssay1 October 1999
- Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ FictionEssay3 December 2018
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Teaching the Value of Literature (and Other Paradoxes)Essay30 October 2023
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the CurriculumEssay19 September 2017
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- The Short Stories of Judith WrightEssay1 June 1963
- Review of *Kenneth Slessor* and *The Banjo of the Bush: The Work, Life and Times of A.B. Paterson* by Clement SemmlerReview1 June 1967