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Marcus Clarke’s *Chidiock Tichbourne*

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Boundary Crossing: The Novels of David Foster

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

Ern Malley and His Rivals

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

The Fiction of Gabrielle Lord

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

In His Own Sweet Time: Carmen’s Coming Out

Dying of Landscape: E.L. Grant Watson and the Australian Desert

Reading (in/and) *Miranda*

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006

Counter-Poetics

Salt Scars: John Kinsella’s Wheatbelt

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’