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‘…The Wild Assertion of Vitality’

Official Criticism? Critical Practices and Australian Poetry

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

The Pursuit of Oblivion: In Flight from Suburbia

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

Demidenko/Darville: A Ukrainian-Australian Point of View

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

‘But who considers woman day by day?’: Australian Women Poets and World War I

Henry Lawson and the ‘Pinker of Literary Agents’

In the Beginning: David Malouf’s *An Imaginary Life*

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

Afterword: The Story of a Bookmark

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*