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Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

Francis Adams: Realism and Sensation in the 1880s

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

The Genesis of a Writer: The Early Years of Kenneth Mackenzie

Annual Bibliography of Studies in Australian Literature : 1969

Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary Material

Some Developments in Short Fiction, 1969-1980

A Lost Dimension: The Immigrant’s Experience In the Work of David Malouf

Facey’s A Fortunate Life and Traditional Oral Narratives

*An Imaginary Life*: The Dimensions of Self

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

John Grant: Australia’s First ‘Really’ Radical Poet

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Decomposing Suburbia: Patrick White’s Perversity

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

*Fredy Neptune*: Metonymy and the Incarnate Preposition