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‘This Country is My Mind’: Les Murray’s Poetics of Place

‘But who considers woman day by day?’: Australian Women Poets and World War I

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

Henry Lawson and the ‘Pinker of Literary Agents’

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Patrick White, Saul Bellow and the Problem of Literary Value

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

Indigenous Literature and the Extractive Industries

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Creative Acts: Archives, Artifacts and Australian Women’s Autobiographies

Recollections Through English Spectacles

Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral Elegy

From the Harp of Erin to Erin of the Harp with Thomas Keneally

Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018