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- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- Henry Lawson and the ‘Pinker of Literary Agents’Essay1 October 2007
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance MeasurementEssay1 November 2013
- The Tennysons in Literary AdelaideEssay31 October 2015
- Adam McCay and Sydney’s Literary Bohemia (1911-1947)Essay1 October 1984
- Review of *Who Is She? Images of Woman in Australian Fiction', ed. Shirley WalkerReview1 October 1984
- John Tranter & Les MurrayEssay1 May 1982
- War Poetry: Myth as De-formation and Re-formationEssay1 October 1985
- Sheer Voice and Fidget Wheels: A Study of 'Five Bells'Essay1 May 1988
- Tranter’s PlotsEssay1 May 1989
- D.H. Deniehy as a Critic of Colonial LiteratureEssay1 May 1980
- An Interview with Carter BrownEssay1 May 1975