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Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar

The Values of *Critique*

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

Shame in Ruth Park’s Inner Sydney Novels

A Versatile Career: Ruth Park’s Novels in the American Marketplace

Writing Places in the Spaces of AI

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Place, History and Story: Tony Birch and the Yarra River

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

The Redemptive Theme in *His Natural Life*

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

‘…The Wild Assertion of Vitality’

Patrick White’s *A Fringe of Leaves*: History and Fiction

Literary Criticism in Australia: A Change of Critical Paradigms?

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century