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Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

An Interview with Archie Weller

Worlds Apart? Finnish Translations of Australian Literature

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Dorothy Hewett’s Faith in Doubt

Criminal Transport: George Barrington and the Colonial Cure

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

Dying of Landscape: E.L. Grant Watson and the Australian Desert

Australian Literature: Points for Departure

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

Of Sages and Sybils: Alec Hope and Judith Wright

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

An Indian without a Country

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

Valerie Solanas and the Limits of Speech

Biopolitics and Eleanor Dark’s *Prelude to Christopher*