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- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous AuthorEssay1 May 1990
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- Recent Australian Autobiography: A Review EssayEssay1 October 1992
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- How to Use a Street Directory: Detail and Knowledge in the Work of Alan WearneEssay1 November 1998
- Roy Bridge’s Fictions of Van Diemen’s LandEssay1 October 2000
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- My Brilliant Career and RadicalismEssay1 October 2002
- Wishing for Political Dominance: Representations of History and Community in Queer TheoryEssay1 October 2003
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Judith Wright and the Temporality of CompositionEssay1 October 2007
- ‘untranscended / life itself’: The Poetry of Pam BrownEssay1 October 2005
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- Australian Letters and Postwar ModernityEssay1 October 2008
- How Australia’s Literary History Might be WrittenEssay1 May 1983
- Review of *Australian Literary Criticism* edited by Grahame JohnstonReview1 December 1963
- New Light on Henry KendallEssay1 June 1966