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Australian Bards and British Reviewers

Revaluing Australian Legends: Some Plays by Jack Hibberd

‘Home Ground, Foreign Territory’: Living with Australia

The Dark Side of the Dreaming: Aboriginality and Australian Culture

Australian Criticism in ‘Transition’

An Interview with Christopher Koch

Tales of Old Travel: Predecessors of David Malouf’s *The Conversations at Curlow Creek*

A Tale of Two Countries: *Jack Maggs* and Peter Carey’s Fiction

‘By What Sign / Are You Walking?’: The Poetry of Judith Rodriguez

Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous Author

‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*

Recent Australian Autobiography: A Review Essay

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

How to Use a Street Directory: Detail and Knowledge in the Work of Alan Wearne

Roy Bridge’s Fictions of Van Diemen’s Land

‘Unrelaxing Fortitude’: Susannah Franklin

My Brilliant Career and Radicalism

Wishing for Political Dominance: Representations of History and Community in Queer Theory

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Judith Wright and the Temporality of Composition