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Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Professing the Popular: Political Fiction circa 2006

Of Sages and Sybils: Alec Hope and Judith Wright

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Daemonic Currents in Dorothy Porter’s Poetry

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy

Books as Gifts: The Meaning and Function of a Personal Library

Wartime Reading: Romantic Era Military Periodicals and the Edinburgh Review

Christina Stead’s Earliest Publications

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Snake Dreaming: The Life-Giving and Life-Taking Powers of the Snake

‘But who considers woman day by day?’: Australian Women Poets and World War I

Henry Lawson and the ‘Pinker of Literary Agents’