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- The Drowned World of Kenneth SlessorEssay1 May 2001
- Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance MeasurementEssay1 November 2013
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- **Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**Essay15 December 2025
- Australian Letters and Postwar ModernityEssay1 October 2008
- Asia and the Contemporary Australian NovelEssay1 October 1984
- Miles Franklin on Dearborn Street, Chicago, 1906-15Essay1 May 1982
- Discoveries and Transformations: Aspects of David Malouf’s WorkEssay1 May 1984
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- Gossip and History in the Novels of Brian Penton and Thomas KeneallyEssay1 October 1990
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009