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- Les Murray’s Talking MosaicsEssay19 December 2024
- Writing Places in the Spaces of AIEssay22 December 2025
- Interview with Kerry Reed-GilbertEssay5 May 2016
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain PoemsEssay30 June 2015
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- Christina Stead: An InterviewEssay1 May 1974
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Interview with David MaloufEssay1 May 2010
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Creative Acts: Archives, Artifacts and Australian Women’s AutobiographiesEssay1 May 1996
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993