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- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- The Fiction of Gabrielle LordEssay1 October 1999
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Reading (in/and) *Miranda*Essay1 May 2006
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015