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The Lemurian Nineties

Charles Harpur’s ‘Midsummer Noon’: A Structuralist Approach

Australian and New Zealand Fiction

Narrative Technique in Lawson

Judith Wright’s Delicate Balance

Australian Poems on European Paintings

Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*

*The Twyborn Affair*: Beyond ‘the Human Hierarchy of Men and Women’

From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*

A Mate in Publishing

‘My Little Ghost-Slave’: The Queer Lives of Rosa Praed

‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*

‘Things are Cast Adrift’: Brian Castro’s Fiction

‘By What Sign / Are You Walking?’: The Poetry of Judith Rodriguez

Preying on the Past: Contexts of Some Recent Neo-Historical Fiction

Intricate Knots and Vast Cosmologies: The Poetry of Judith Beveridge

The Suburban Problem of Evil

John Foulcher’s Democracy

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Mudrooroo: Crafty Imposter or Rebel with a Cause