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- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Interview with Andrew TaylorEssay1 May 2004
- Some Versions of Manifold: Brisbane and the ‘Myth’ of John ManifoldEssay1 October 2003
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- Kendall’s Views on Contemporary Writers : A Survey of His CorrespondenceEssay1 June 1964
- Review of *Australian Poets* seriesReview1 December 1964
- The Text of Lawson’s ProseEssay1 December 1966
- Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*Essay1 October 1967
- More Substance to Fisher’s Ghost?Essay1 May 1968