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Review of *Australia on the Popular Stage: 1829-1929* by Margaret Williams

Research in Progress in Australian Literature [1986]

Rudi Krausmann

Review of *J.S. Manifold--An Introduction to the Man and his Work* by Rodney Hall

Ern Malley and His Rivals

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

Recollections Through English Spectacles

Authors’ Statements [Barry Oakley]

Authors’ Statements [Barry Hill]

Eric Beach

From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*

Review of *Between Literature and Painting: Three Australian Women Writers*, by Roberta Buffi

Editorial

Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*

Review of *The Lyre in the Pawnshop: Essays on Literature and Survival 1974-1984* by Fay Zwicky; and *The Uncertain Self: Essays in Australian Literature and Criticism* by Harry Heseltine

Review of *Along the Faultlines: Sex, Race and Nation in Australian Women's Writing, 1880s-1930s* by Susan Sheridan, and *Writing the Colonial Adventure: Race, Gender and Nation in Anglo-Australian Popular Fiction, 1875-1914* by Robert Dixon

William Baylebridge : Man’s Voice Proclaiming Man

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*