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- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Marcus Clarke and the TheatreEssay1 May 1975
- Some Mary Gilmore LettersEssay1 October 1972
- Alan SeymourEssay1 May 1974
- The One-Actor Play in Australian DramaEssay1 May 1981
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- The Solitariness of Alex MillerEssay1 May 2004
- Australian Literature: Points for DepartureEssay1 October 1999
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006