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Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Poetry and Politics in Oodgeroo: Transcending the Difference

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism

A Bellyful of Bali: Travel, Writing and Australia/Asia Relationships

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

An Interview with Archie Weller

Still Life: Art and Nature in Vivian Smith’s Poetry

Ages of Reason: Ethics, Metaphor and the Work of Jennifer Maiden

A Reconsideration of Christina Stead at Work: Fact into Fiction

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Transgressing Language?: The Poetry of Ania Walwicz

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award