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- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Reopening the Case of Ada CambridgeEssay1 October 1987
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Ways of Seeing : Henry Lawson’s ‘Going Blind’Essay1 May 1980
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- The Fiction of Beverley FarmerEssay1 May 1990
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- The Solitariness of Alex MillerEssay1 May 2004