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- The Composition of *Geoffry Hamlyn*: A CommentEssay1 May 1969
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- Patrick White’s First BookEssay1 October 1974
- Country Poetry and Town Poetry: A DebateEssay1 May 1979
- Review *Australian Literature: An Historical Introduction*, by John McLarenReview1 October 1990
- In Quest of a Quaker: A Note on Henry Savery’s Nom de PlumeEssay1 June 1963
- Review of *Marcus Clarke's Bohemia* by Andrew McCannReview1 May 2006
- Review of *The Convict Theatres of Early Australia 1788-1840*, by Robert JordanReview1 May 2005
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*Essay1 October 1981
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- Review of *Aspects of Australian Cultur*, ed. Joost Dalder and Michele Fryar, and *Australia*, Special Editor L. A. C. DobrezReview1 October 1983
- Review of *The Oxford History of Australian Literature* ed. by Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. WilkesReview1 May 1982
- Literary Cousins: *Nuns in Jeopardy* and *Picnic at Hanging Rock*Essay1 May 1982
- Texts and Contexts of the Availability and Editing of Australian TextsEssay1 May 1986