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‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

The Telling of Marmel’s Story

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

The Golden Fish: On Reading J. S. Harry

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

The Eco-Humanities as Literature: A New Genre?

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820s

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Phonographic Books and the Late Nineteenth-Century Reader

The Drama of the Separate Self in Rae Desmond Jones’ The Mad Vibe

Review by Craig Munro

‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930s

Review of *Twentieth Century Australian Literary Criticism*, edited by Clement Semmler

A New Light on ‘The Orange Tree’?

Some Previously Unpublished Lawson Material in Australian Libraries

Louisa Lawson’s ‘The Australian Bush-Woman’–A Source for ‘The Drover’s Wife’ and ‘Water them Geraniums’?