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Centre of Fierceness: Francis Webb’s Vision of the Artist

Jindyworobaks and Aborigines

Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

The Fiction of Gabrielle Lord

A. D. Hope and the Apocalyptic Splendour of the Sexes

Reading (in/and) *Miranda*

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

The Telling of Marmel’s Story

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

The Golden Fish: On Reading J. S. Harry

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

The Eco-Humanities as Literature: A New Genre?

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry