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A Survey of Australian Utopian and Dystopian Fiction

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

Ripping Yarns, Ideology, and *Robbery Under Arms*

Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

Some Mary Gilmore Letters

The Structure of Frederic Manning’s War Novel *Her Privates We*

Kate Baker, ‘Standard-Bearer’

The Support of Literature in Colonial Australia

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Hal Porter, *The Tower* and the Quintessence of Porterism

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

An Absence of Partisanship

The Fiction of Beverley Farmer

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

My Brilliant Career and 1890s Goulburn

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

The Solitariness of Alex Miller