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Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

Review of *Republics of Letters: Literary Communities in Australia*, edited by Peter Kirkpatrick and Robert Dixon

Review of *The Burning Library: Our Great Novelists Lost and Found*, by Geordie Williamson

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

Review of *Angus & Robertson and the British Trade in Australian Books, 1930-1970. The Getting of Bookselling Wisdom*, by Jason D. Ensor

H. G. Wells in Australia

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

A Lost Satire on the 1890s *Bulletin* Writers and Bohemians

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Introduction: The Uses of Irish-Australian Literature

Shirley Hazzard’s *The Transit of Venus* and the Question of Value

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

By Association: Crafting Mission and Values Statements for the Australian University Heads of English

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

Perceptions of the Enemy in Australian War Literature

Transforming *Jane Eyre*: Its Australian Stage Adaptations

‘The Fullness of Life’: The Poetics and Politics of Jack Lindsay

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War