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Remembering the War: Australian Novelists of the InterWar Years

Australian Gothic: Theatre and the Northern Turn

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

Irish Protestant Colonialism and Educational Ideology in Australia:** **Hannah Boyd’s *Letters on Education* (1848)

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940s

**Lines and Mines: Poetry and the Making of Civic Community on the Goldfields**

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

Patrick White’s Studies for *Voss*

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures