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Folie, Topography and Family in Murray’s Middle-Distance Poems

Patrick White’s Four Plays

A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey Lehmann

My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

Drama’s Vitallest Expression: The Fiction of Olga Masters

Jindyworobaks and Aborigines

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

Man, Work and Country: The Production of Henry Lawson

Transgressing Language?: The Poetry of Ania Walwicz

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Friendship in a Time of Loneliness

The Impact of Literature

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Terms of Ambivalence: Cultural Politics and Symbolic Exchange

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War