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Some Mary Gilmore Letters

Alan Seymour

The One-Actor Play in Australian Drama

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

A Bellyful of Bali: Travel, Writing and Australia/Asia Relationships

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

Transgressing Language?: The Poetry of Ania Walwicz

Michael Wilding’s Three Centres of Value

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

The Solitariness of Alex Miller

Australian Literature: Points for Departure

Reading Kate Llewellyn’s Garden(Books)

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*