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Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

Brereton, the *Bulletin*, and A.G. Stephens

‘Talking with Yagan’s Head’: The Poetry of John Mateer

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Imagining Transcendence: The Poetry of David Malouf

Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’

Local Moderns: The Jindyworobak Movement and Australian Modernism

The Politics of English Studies in India

The Impact of Literature

Amanda Lohrey's *Vertigo*: An Australian Pastoral

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*