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- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- The Fiction of Beverley FarmerEssay1 May 1990
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- The Solitariness of Alex MillerEssay1 May 2004
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007