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From Ballarat to Bendigo with Mark Twain

Editors’ Statements [Craig Munro]

Review of *The Oxford History of Australian Literature* ed. by Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. Wilkes

Review of *The Oxford History of Australian Literature* ed. Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. Wilkes

Review of *Straight Left* by Katharine Susannah Prichard *An Introduction to Australian Literature* ed. C.D. Narasimhaiah, and *A Common Wealth of Words* ed. Maureen Freer and Ken Goodwin

The Reviewer and Miss Robertson

Charles Reade, Wilkie Collins, and Marcus Clarke

Art as Reflection in Jessica Anderson’s *Tirra Lirra by the River*

Some Sources of *White Stag of Exile*

Review of *A History of Australian Literature, vol 1 1789-1923, vol. 2 1923-1950* by H.M. Green, rev. Dorothy Green; and *A History of Australian Literature* by Ken Goodwin

Review of *The Australian Stage: A Documentary History*, ed. Harold Love

Review of *The Australian Short Story before Lawson*, ed. Cecil Hadgraft

Steele Rudd’s Real Dad: An Exiled Convict?

Review of *The Lyre in the Pawnshop: Essays on Literature and Survival 1974-1984* by Fay Zwicky; and *The Uncertain Self: Essays in Australian Literature and Criticism* by Harry Heseltine

Review of *Catherine Helen Spence* ed. Helen Thomson; and *Point of Departure. The Autobiography of Jean Devanny* ed. Carole Ferrier

Review of *Gwen Harwood* ed. Robert Sellick; and *Reading Australian Poetry* by Andrew Taylor

Joe Lynch, Bohemian Hero of Five Bells

Review of *Courage a Grace: A Biography of Dame Mary Gilmore* by W.H. Wilde, and *Martin Boyd: A Life* by Brenda Niall

An Interview with W. Hart-Smith on the Jindyworobaks

A.G. Stephens: An Internationalist Critic