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Jack Lindsay

David Campbell’s Poetic Mind

A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

Discoveries and Transformations: Aspects of David Malouf’s Work

Mateship, Individualism and the Production of Character in Australian Fiction

From the Sudan to Saigon: A Critical Review of Historical Works

Anthologies and Orthodoxies

Drama’s Vitallest Expression: The Fiction of Olga Masters

Ripping Yarns, Ideology, and *Robbery Under Arms*

‘Interest’ in Les A. Murray

Centre of Fierceness: Francis Webb’s Vision of the Artist

Truth beyond the Language Game: The Poetry of Gwen Harwood

Annual Bibliography of Studies in Australian Literature: 1976

Marcus Clarke: ‘Christianity is Dead’

Thoughts on Some Recent Poetry

Recoil from Disorder: David Ireland’s *The Chantic Bird*

Miles Franklin, *My Brilliant Career* and the Female Tradition

The One-Actor Play in Australian Drama

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English