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- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024
- Review of *Australian Poets* seriesReview1 December 1964
- Romantic Attitudes in *Geoffry Hamlyn*Essay1 December 1965
- The Writing of CapricorniaEssay1 May 1970
- Catherine Helen Spence, Unitarian UtopianEssay1 May 1971
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982
- Here Beyond My KnowingEssay1 May 1985