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Francis Adams: Realism and Sensation in the 1880s

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

What is Australian Popular Fiction?

Christina Stead’s Earliest Publications

The Historical Basis of For the Term of His Natural Life

The Boer War: Paterson, Abbott, Brennan, Miles Franklin and Morant

‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Treating Dora in *His Natural Life*

Society of Women Writers 1925-1935

The Drowned World of Kenneth Slessor

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

‘Phrases Between Us’: The Poetry of Anna Wickham

Remembering the War: Australian Novelists of the InterWar Years

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Being Out of Time: Animal Gods in Contemporary Extinction Fictions