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- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- 'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special IssueEssay30 October 2023
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001
- Manifesting Literary Feminisms: Nexus and FaultlinesEssay1 November 2009
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- Some Poems of Judith WrightEssay1 May 1968
- Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig LeichhardtEssay1 October 1982
- *The Twyborn Affair*: Beyond ‘the Human Hierarchy of Men and Women’Essay1 May 1994
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- The Art of ‘Cracking Normal’Essay1 October 2001
- *My Brilliant Career* and FeminismEssay1 October 2002
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- Indigenous Sovereignty in the Poetry of Romaine MoretonEssay1 October 2009
- Walk on the Wild Side : Literature in the Time of CholericEssay1 June 2013
- Miles Franklin and ‘The Survivors’Essay1 May 2011
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013