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- After Libertarianism: An Interview with Michael WildingEssay1 May 1998
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- Folie, Topography and Family in Murray’s Middle-Distance PoemsEssay1 October 2001
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993
- Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral ElegyEssay30 June 2015
- Review of *Australian Poets* seriesReview1 December 1964