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‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

‘Interest’ in Les A. Murray

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

*Ralph Rashleigh*: A Convict Dream

Gentlefolk Errant: The Family Writings of Martin Boyd

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

A Bellyful of Bali: Travel, Writing and Australia/Asia Relationships

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

Dramatising the Self: Beverley Farmer’s Fiction

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

The Fiction of Gabrielle Lord

Criminal Transport: George Barrington and the Colonial Cure

Australian Literature: Points for Departure

Brereton, the *Bulletin*, and A.G. Stephens