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‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

The Craftsmanship of Lawson Revisited

Jindyworobaks and Aborigines

A Survey

Recoil from Disorder: David Ireland’s *The Chantic Bird*

The ‘Literary Photographs’ of Henry Lawson

Daniel Deniehy: A Checklist of Writings and Speeches

Miles Franklin, *My Brilliant Career* and the Female Tradition

The Support of Literature in Colonial Australia

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Dramatising the Self: Beverley Farmer’s Fiction

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations