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Review of *Australia on the Popular Stage: 1829-1929* by Margaret Williams

Review of *L'aube D'une Nation: les écrivains d'Australie de 1788 á 1910* by Maryvonne Nedelijkovic; and *Die Rezeption australischer Literatur im deutschen Sprachraum von 1845-1979* by Volker Wolf

Some of the Ghosts: Growing Up in Tasmania

Review by Christopher Koch

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

Henry Kingsley - Mounted Policeman?

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

Review of *Theatre Comes to Australia* by Eric Irvin, and *A Family of Brothers: The Taits and J.C. Williamson; a Theatre History* by Viola Tait

Review of *Adam Lindsay Gordon* by W.H. Wilde; and *Rolf Boldrewood* by Alan Brissendon

*Voss* and Jacob Boehme: A Note on the Spirituality of Patrick White

Interview with Christina Stead

Review *Frank the Poet* by John Meredith and Rex Whalan

David Ireland’s *Prisoner’ and *The Flesheaters*

‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’

Review of *A Writing Life* By Giulia Giuffré

Review of *Writing in Hope and Fear: Literature as Politics in Postwar Australia*, by John McLaren, and *A Rare Bird: Penguin Books in Australia 1946-96*, by Geoffrey Dutton

Gaeldom and the Western District

Review of *Kenneth Slessor*, by Adrian Caesar, and *Kenneth Slessor: Collected Poems*, edited by Dennis Haskell and Geoffrey Dutton

Review of *The Devil and James McAuley*, by Cassandra Pybus

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold