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Early Australian Poetry and its Bibliographers

Authors’ Statements [John Morrison]

Authors’ Statements [Frank Hardy]

Review of *Australian Melodrama: Eighty Years of Popular Theatre* by Eric Irvin

Review of *Double Agent: David Ireland and His Work* by Helen Daniel

Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary Material

Review of *Australia on the Popular Stage: 1829-1929* by Margaret Williams

Review of *L'aube D'une Nation: les écrivains d'Australie de 1788 á 1910* by Maryvonne Nedelijkovic; and *Die Rezeption australischer Literatur im deutschen Sprachraum von 1845-1979* by Volker Wolf

Some of the Ghosts: Growing Up in Tasmania

Review by Christopher Koch

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

Henry Kingsley - Mounted Policeman?

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

Review of *Theatre Comes to Australia* by Eric Irvin, and *A Family of Brothers: The Taits and J.C. Williamson; a Theatre History* by Viola Tait

Review of *Adam Lindsay Gordon* by W.H. Wilde; and *Rolf Boldrewood* by Alan Brissendon

*Voss* and Jacob Boehme: A Note on the Spirituality of Patrick White

Interview with Christina Stead

Review *Frank the Poet* by John Meredith and Rex Whalan

David Ireland’s *Prisoner’ and *The Flesheaters*

‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’