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- From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*Essay1 November 1994
- A Mate in PublishingEssay1 November 1994
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- Honi Heke: The Maori as Aboriginal Hero in Australian Colonial PoetryEssay1 May 1993
- Three-Dimensionality and *My Brother Jack*Essay1 May 1997
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous AuthorEssay1 May 1990
- An Interview with Thomas ShapcottEssay1 May 1997
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- Reading *My Brilliant Career*Essay1 October 2002
- The Suburban Problem of EvilEssay1 November 1998
- John Foulcher’s DemocracyEssay1 October 1999
- ‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’Essay1 May 2004
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- My Brilliant Career and RadicalismEssay1 October 2002
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Judith Wright and the Temporality of CompositionEssay1 October 2007
- Joyce Eyre and Australian Literature at the University of TasmaniaEssay1 November 2008
- Mudrooroo: Crafty Imposter or Rebel with a CauseEssay1 October 2004
- Editing ALS: A MemoirEssay1 June 2013