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- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Australian Literature: Points for DepartureEssay1 October 1999
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War MemorialEssay1 May 2007
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009