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Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

An Absence of Partisanship

Randolph Stow’s *Outrider* and the French Voyager Poem

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Man, Work and Country: The Production of Henry Lawson

Towards a History of Literary Programming on ABC Radio

Michael Wilding’s Three Centres of Value

‘Roost High and Crow Low’: The Legacy of Barry Andrews

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Excavating a Bonanza: Sarah Campion

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

Criminal Transport: George Barrington and the Colonial Cure