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Indigenous Literature and the Extractive Industries

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

**The ‘Settler Problem’: Country and the (Im)Possibilities of a Settler Ecopoetics**

Australian Letters and Postwar Modernity

Asia and the Contemporary Australian Novel

Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*

Reading Byron in Kororāreka: *The Journal of Ensign Best*

Australian Literary Studies in the 1940s: The Commonwealth Literary Fund Lectures

History and Fiction in Rolf Boldrewood’s *The Miner’s Right*