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Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

Australian Letters and Postwar Modernity

Asia and the Contemporary Australian Novel

Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*

Reading Byron in Kororāreka: *The Journal of Ensign Best*

Australian Literary Studies in the 1940s: The Commonwealth Literary Fund Lectures

History and Fiction in Rolf Boldrewood’s *The Miner’s Right*

Literary Nationalism and the 1890s

A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey Lehmann

Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*

The Traditionalism of James McAuley

David Campbell’s Poetic Mind

A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel