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Bridging Distances: Ruth Park’s *A Power of Roses* (1953)

Perceptions of the Enemy in Australian War Literature

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Xavier Herbert: *Capricornia*

Catherine Martin, Writer: Her Life and Ideas

Ages of Reason: Ethics, Metaphor and the Work of Jennifer Maiden

The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’

'The Crows Kept Flyin’ Up': Old Bush Song or Mary Gilmore Ballad?

War Poetry: Myth as De-formation and Re-formation

Four Notes on the Practice of Revolution

Becoming Native: Australian Novelists and the New Zealand Wars

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Irish-Australian Literature: Ghosts, Genealogy, Tradition

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

Review of South Pacific Images, Patrick White's Riders in the Chariot, and H.H. Richardson's Maurice Guest

Repetition and Christina Stead’s *The Man Who Loved Children*

Anna Maria Murray, Authoress of *The Guardian*

Art, Life and Authority in Australian Literary Culture: Marr and White